{"id":987476264,"date":"2024-09-23T10:58:12","date_gmt":"2024-09-23T10:58:12","guid":{"rendered":"https:\/\/caisse-a-lire.com\/wp\/?p=987476264"},"modified":"2024-09-23T10:58:12","modified_gmt":"2024-09-23T10:58:12","slug":"gaston-vuillier","status":"publish","type":"post","link":"https:\/\/caisse-a-lire.com\/wp\/2024\/09\/23\/gaston-vuillier\/","title":{"rendered":"Gaston VUILLIER"},"content":{"rendered":"<div class=\"et_d4_element et_pb_section et_pb_section_0 et_pb_with_background  et_pb_css_mix_blend_mode et_section_regular et_block_section\" >\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_d4_element et_pb_row et_pb_row_0  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_1_3 et_pb_column et_pb_column_0  et_pb_css_mix_blend_mode et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_image et_pb_image_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<span class=\"et_pb_image_wrap has-box-shadow-overlay\"><div class=\"box-shadow-overlay\"><\/div><img data-recalc-dims=\"1\" decoding=\"async\" width=\"351\" height=\"443\" data-src=\"https:\/\/i0.wp.com\/caisse-a-lire.com\/wp\/wp-content\/uploads\/2024\/09\/Vuillier.png?resize=351%2C443&#038;ssl=1\" alt=\"Portrait de Colette\" title=\"Vuillier\" class=\"wp-image-987476271 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 351px; --smush-placeholder-aspect-ratio: 351\/443;\" \/><\/span>\n\t\t\t<\/div>\n\t\t\t<\/div><div class=\"et_d4_element et_pb_column_2_3 et_pb_column et_pb_column_1  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_0  et_pb_text_align_justified et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p>N\u00e9 le 7 octobre 1845 \u00e0 Perpignan, Gaston Pont, fils naturel d\u2019Anne Pont, vingt ans, servante \u00e0 Roquefort-de-Sault. Non reconnu par son p\u00e8re, Paul-Fran\u00e7ois Vuillier, ma\u00eetre des forges, le gar\u00e7on fut cependant \u00e9lev\u00e9 par ses soins.\u00a0<\/p>\n<p>L\u2019\u00e9t\u00e9 de ses quatorze ans le gar\u00e7on change de nom : ses g\u00e9niteurs se marient, son p\u00e8re le reconna\u00eet, il devient donc le 25 juillet 1860 : Gaston Vuillier. Apr\u00e8s son baccalaur\u00e9at, il entame, \u00e0 Aix-en-Provence, des \u00e9tudes de droit\u00a0 et commence une modeste \"carri\u00e8re\" dans l\u2019\u00e9tude d\u2019un notaire marseillais. Mais il faut croire que, d\u00e8s cette \u00e9poque, se manifeste chez lui un go\u00fbt, assez partag\u00e9 dans son milieu social, pour le dessin et la peinture. Il se rend donc, pour apprendre, \u00e0 l\u2019\u00c9cole des beaux arts de Marseille o\u00f9 il se lie avec le directeur, le peintre Philippe Auguste Jeanton qui, en tant que r\u00e9publicain, est tr\u00e8s li\u00e9 \u00e0 Gambetta. Il pr\u00e9sente le grand homme \u00e0 Vuillier et ce dernier en fait plusieurs portraits, en amateur. La rencontre se r\u00e9v\u00e9la vite d\u00e9cisive : en 1870, le jeune juriste est engag\u00e9 comme lieutenant dans l\u2019arm\u00e9e de la Loire, propuls\u00e9 officier d\u2019ordonnance du d\u00e9l\u00e9gu\u00e9 \u00e0 la guerre, il se retrouve en 1871, chef de cabinet du pr\u00e9fet d\u2019Oran. Il restera six ans en Alg\u00e9rie et c\u2019est sans doute dans les campagnes de l\u2019Oranais qu\u2019il d\u00e9couvre \u00e0 la fois un autre monde visuel, auquel les peintres orientalistes \u00e9taient depuis longtemps sensibles, et qu\u2019il se met lui-m\u00eame \u00e0 prendre des \"notes dessin\u00e9es\", sur ses carnets. En 1876 sa d\u00e9cision est prise : il monte \u00e0 Paris o\u00f9 il s\u2019inscrit dans l\u2019atelier d\u2019un \u00e9l\u00e8ve de Courbet, Emmanuel Lansyer. Il est alors peintre de paysages proven\u00e7aux et, d\u00e9j\u00e0, limousins, mais c\u2019est par une voie toute diff\u00e9rente qu\u2019il sortira de l\u2019anonymat.<\/p>\n<p>En 1878, en effet, Gaston Vuillier, jeune aspirant peintre franchit le seuil de la maison Hachette pour rencontrer un des grands personnages de la presse du temps : Edouard Charton. L\u2019homme est une l\u00e9gende. N\u00e9 en 1807, il a fond\u00e9 Le Magasin pittoresque, revue de vulgarisation de tous les savoirs.\u00a0<\/p>\n<p>\u00a0Vuillier montre ses carnets alg\u00e9riens et on l\u2019invite \u00e0 publier dans Le Magasin pittoresque, d\u00e8s 1878. En 1880, il passe au Tour du Monde, revue beaucoup plus exigeante.<\/p>\n<p>A partir de ces rencontres fondatrices, il faudra encore une dizaine d\u2019ann\u00e9es pour que Vuillier affirme v\u00e9ritablement sa voie. Il s\u2019impose d\u2019abord, en effet, comme un \"homme d\u2019image\" tr\u00e8s \u00e9clectique qui met son talent au service de la presse et du livre illustr\u00e9 dans ses formes les plus nobles. Portraitiste, pour Le monde illustr\u00e9, de c\u00e9l\u00e9brit\u00e9s - Delacroix, Victor Hugo sur son lit de mort.<br \/>Ces activit\u00e9s multiples font de Vuillier un dessinateur connu qu\u2019Hachette tient \u00e0 s\u2019attacher d\u2019autant plus solidement en lui confiant l\u2019\u00e9criture des textes. Il assumera d\u00e9sormais cette posture du voyageur dessinateur et \u00e9crivain ; Le Tour du monde sera, quasiment, son seul port d\u2019attache.<\/p>\n<p>C\u2019est en Limousin, d\u00e8s le d\u00e9but des ann\u00e9es 1890, semble-t-il, que Vuillier a rencontr\u00e9 son paysage de pr\u00e9dilection, le site auquel il consacrera toute la derni\u00e8re p\u00e9riode de sa vie. Gimel est d\u00e9j\u00e0 au centre du premier reportage, Vuillier d\u00e9ploie ses explorations corr\u00e9ziennes autour de ce lieu d\u2019\u00e9lection qui l\u2019a soudainement conquis .<\/p>\n<p>Lieu de paix donc, et d\u2019harmonie rousseauiste. Mais ce n\u2019est point ce qui a retenu Gaston Vuillier \u00e0 Gimel, c\u2019est, au contraire, le contraste entre cette premi\u00e8re image et l\u2019explosion chaotique et bruyante d\u2019un paysage convulsif d\u00e9j\u00e0 rapidement c\u00e9l\u00e9br\u00e9 par Abel Hugo et George Sand. Et Gimel va devenir le havre du dessinateur qui va bient\u00f4t partager son temps entre le Limousin et Paris. Il part en Ecosse pour r\u00e9aliser sur place les illustrations du r\u00e9cit de voyage de Marie-Anne de Bovet, L\u2019Ecosse, souvenirs et impressions de voyage (1898). Puis, \u00e0 l\u2019exception de quelques voyages en Andalousie, il renonce \u00e0 ses longs s\u00e9jours m\u00e9diterran\u00e9ens pour se consacrer \u00e0 l\u2019illustration de classiques - Carmen (1911) et Colomba (1913) de M\u00e9rim\u00e9e, Le dernier des Abenc\u00e9rages de Chateaubriand (1912) - et d\u2019ouvrages \u00e0 la mode - La femme et le pantin de Pierre Louys.<\/p>\n<p>Il mourra le 2 f\u00e9vrier 1915, \u00e0 Gimel, dans sa maison des cascades et il repose aujourd\u2019hui dans le petit cimeti\u00e8re du lieu. On rapporte qu\u2019apr\u00e8s la guerre sa veuve organisa une vente aux ench\u00e8res de ses \u0153uvres qui n\u2019eut qu\u2019un pi\u00e8tre succ\u00e8s. Gaston Vuillier venait d\u2019entrer, pour quelques d\u00e9cennies, dans l\u2019oubli.<\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_row et_pb_row_1  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_4_4 et_pb_column et_pb_column_2  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_text et_pb_text_1  et_pb_text_align_center et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_text_inner\"><p>Les livres de cet illustrateur au catalogue<\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_d4_element et_pb_row et_pb_row_2  et_pb_css_mix_blend_mode et_block_row\">\n\t\t\t\t<div class=\"et_d4_element et_pb_column_4_4 et_pb_column et_pb_column_3  et_pb_css_mix_blend_mode et-last-child et_block_column\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module et_d4_element et_pb_shop et_pb_shop_0  et_pb_css_mix_blend_mode  et_pb_text_align_center et_pb_shop_grid\"  data-shortcode_index=\"0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"entry\">\n\t<h1 class=\"not-found-title\">Aucun R\u00e9sultat Trouv\u00e9<\/h1>\n\t<p>La page demand\u00e9e est introuvable. Essayez d\u2019affiner votre recherche ou utilisez la navigation ci-dessus pour trouver l\u2019article.<\/p>\n<\/div>\n\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":987476270,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4066],"tags":[],"class_list":["post-987476264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vuillier"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - 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